photo: Emily Cooper
It is a laudable quality when theatre offers an allowance for an audience to think for itself.
 Theresa Rebeck’s contemporary play THE UNDERSTUDY is a sympathetic look at the plight of two actors and one stage manager striving to grow and create in an environment of incessant hurdles.
 photo: Emily Cooper All’s Well That Ends Well hits the stage at Bard On The Beach once again.
 Charlie Gallant and Ghazal Azarbad. photo: Emily Cooper. SHAKESPEARE IN LOVE is a rollicking tale of love, inspiration, and daring to follow your dreams.
 photos: Tim Matheson Bard On The Beach’s 30th season got off to an interesting start with Shakespeare’s The Taming Of The Shrew.
 When I hear “The Illusionists” is coming to town I quickly text a friend who is a magician.
 Sarah Bockel as Carole King. photo: Matthew Murphy It’s astonishing to consider the impact musicians Carole King and Gerry Goffin had on the music industry when they first began writing together in the late 50s/early 60s.
 Jennifer Lines, Quelemia Sparrow, and Marci T. House of Lysistrata. photo: David Cooper. Once again, Bard on the Beach branches out beyond Shakespeare. This year we are treated to Aristophanes’s infamous, and contemporarily relevant, Lysistrata.
 Moya O'Connell and Ben Carlson in Macbeth. photo David Cooper and Emily Cooper. There’s an awful lot jammed into Shakespeare’s shortest tragic tale of greed, guilt, and murder, murder, and (big breath) more murder.
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